Saraighat completes 50 glorious years

Noted anthropologist AC Bhagabati, who has been conferred on Tagore National Fellowship for cultural research, stressed the importance of traditional perceptions of land records to find out causes of ethnic clashes.

Lethal games of hide and seek

Photojournalist Altaf Qadri recounts his tale of survival amidst military strikes of Gaddafi loyalists, defensive rebel gun-showers and unfeeling NATO airstrikes.

Men always afraid of the strength of women

WARIS MEANS Desert Flower, a flower that can bloom even in the roughest climate. Waris Dirie is a nomadic child from Somalia and a mother of two beautiful sons...

Rayanti overcomes real life drama unscathed

Meet Rayanti Rabha, a poor widow from a remote hamlet of Goalpara district who has won the Ustad Bismillah Khan Yuva Puraskar from Sangeet Natak Akademi recently for acting.

Age has not withered Lalit Chandra Ojha, nor life of tribulations

He gave up everything in life for the sake of Sukananni Ojapali, a folk dance drama of Assam. His life-long devotion enabled the dance drama survive the test of time.

Sunday, December 16, 2012

Homegrown star’s homecoming


Adil Hussain needs no introduction as he has been able to book a sizeable space of his own in the world of acting — be it theatre or cinema. In addition to winning the best actor award in the New Jersey Independent South Asian Cine Festival (NJISACF) for Lessons in Forgetting, he has the rare honour of featuring in three films, including Mira Nair’s The Reluctant Fundamentalist and Ang Lee’s Life Of Pi, which were screened at the International Film Festival of India in Goa, including the opening and closing film.

A scene from his latest Assamese film Sringkhal with co-actor Badal Das. Pix: Abdul Gani
The actor, who is the face of the region in the national film scene and beyond, is set to work in an Assamese movie after 22 years. In an exclusive conversation with Abdul Gani, while shooting for the Prabin Hazarika directed Sringkhal*, Hussain recounts his experiences.

Q. What does it feel like doing your first ever Assamese film as lead character?
A. It feels like coming home after a long hiatus. I have started my life with Assamese films way back in 1982. The last one was in 1988 — Pita-Putra. I’m returning to the scene after 22 years. I don’t have to act here — all I need to do is be myself. I’m so deeply attached emotionally with the atmosphere here in Assam that characters like these come naturally to me. And of course, playing the lead feels good. When I entered the film industry, I never expected to be in the lead, al- though I wanted to be, because I was just a 19 year old guy then. My understanding of acting was not enough during that period. Now, I think I’m equipped to do a decent job — to bring a three dimensional character into a role. The expectations w ill be high. People have seen m e in films all these years, so t hey will definitely be watching c ritically. I hope to bring a deg ree of reality to the film.

Adil Hussain. Pix: Abdul Gani
Q Why did you choose to do Sringkhal?
A. I THINK I’m lucky to be a part of a film which has such a beautiful and simple storyline. At present, I have not seen many similar movies anywhere. Story telling which comes from your heart is the key. This is the kind of the film in which Prabin da’s heart is urging him to tell a story. I have known Prabin da for a long time. When I read the script I was blown over. It is a script like Artist. It has that kind of simplicity. It has always been very difficult to write a straightforward script. Prabin da has been involved with the story for a long time so he could prepare it so lucidly.

Q. How has the transition from Life Of Pi to Sringkhal been?
A. As an actor my job is to respect and to accommodate different kinds of situations, roles, ideas and people. The inner flexibility of ideas is important. And now I’m Kalidas, an Assamese guy. Every character I play is always more of me. The character is not outside of you. When you are playing different characters, you are merely discovering unexplored sides of your personality. The areas which we do not get to encounter in our day-today life, we do it through our roles in films. That’s the fun part, and that is why I act.

Q. How do you cope with your newly gained celebrity status?
A. I think it is part of my profession. When I used to do theatre, I was known to people who were associated with theatre and the people who watched it. But film being a farreaching medium, the public began recognising me. When I was at the Chandigarh airport before coming to Guwahati, I was giving autographs and photographs for one hour. I have to face my consequences gracefully. But I have faced more such situations in Delhi, Mumbai or in Chandigarh than in Guwahati.

Q. How has working with Ang Lee and Mira Nair been like?
A. The first thing I noticed about them is their meticulous planning and precise execution. Their eyes are so trained that they notice the details in everything. They will go to any extent to get it perfect in every sense of the word. The second and the important part is that they are so humble. Ang Lee is the most humble person I have ever met in my life so far. He does not even consider himself as director. That was indeed a great learning period for me. I think every director in India should attend a workshop to understand what direction means.

Q. What do you think of Assam as a film destination?
A. Let me just say that I will try my best to project it in a positive light. Assam, and the entire Northeast, is a fantastic place to shoot films. There are innumerous locations here. But the government should also take responsibility in this regard. The first thing is to project Assam as a safe place. There are number of bandhs taking place every month. So such an unpredictable situation is not very good for any production company. The professional groups of outside would rather prefer other places where the government takes responsibility to clear permissions and red tape. The government here abdicates this responsibility.

Q. You did an ad for Tanishq right?
A. They called me and I asked them to send me the script. I liked it and did it. But I’m very particular about the product. I’m not going to advertise for drinks like Pespi or Coca Cola because I do not believe in these products. I will endorse products in which I believe.

Q. Tell us about your next projects?
A. Recently, I shot a film based on a 12th century story set in Punjab. I’m not allowed to speak about it. Then, there is Blemish Light, an Indo-American production for which shooting starts from December 11. It has a very strong story. Besides that, I’m also featuring in a Bengali film — Kasher Dewal with Rupa Ganguly. After that there is another film called Feast of Varanashi, a British-Indian production. The shoot of Sunrise starts from March next year.
* Sringkhal is based on the story of Bhabendra Nath Saikia by the same name.

Thursday, November 8, 2012

Lethal games of hide and seek


Abdul Gani

Photojournalist Altaf Qadri recounts his tale of survival amidst military strikes of Gaddafi loyalists, defensive rebel gun-showers and unfeeling NATO airstrikes

Altaf Qadri during one of his assignments abroad.

The infighting in Libya between forces loyal to Colonel Muammar Gaddafi and those seeking to oust his government has seen several journalists being kidnapped and killed since 2011.

One of the luckiest survivors was award-winning Associated Press photo journalist Altaf Qadri of Jammu & Kashmir who was reported missing on April 9 in 2011 while covering the civil war leaving all his fellow journalists and others in shock.

Qadri was always interested in such assignments since the day he took photography as a profession in 2001 despite being a computer engineer.

He was thrilled to cross to the Libyan border on March 29, 2011 through the Egyptian land port of Salloum, the main border point between Egypt and Libya. He headed towards Benghazi through Tubruk, one of the best routes for foreign journalists to reach the city as it was under the control of journalist-friendly rebels.

The Battle of Brega-Ajdabiya Road was one of the many battles during the Libyan revolution between forces loyal to Gaddafi and the rebels, for control of the towns of Brega and Ajdabiya, respectively.

“It was a Saturday morning on April 9 when I, along with other AP staffers, finished our breakfast and were about to leave for the volatile frontline between Brega and Ajdabiya. Our routine was to head to the frontline in the morning, file from Ajdabiya and then head back to Benghazi by evening. It is a pretty long drive from Benghazi and at even 150 kmph it would take an hour-and-a-half to reach the frontline. We drove along the desert which was dotted with the remains of tanks and other military vehicles. I started thinking about the four New York Times journalists who were captured by Gaddafi’s forces the previous month. They were brutalised for four days before being freed. However, things looked normal that morning,” Qadri said.

At the time when Qadri boarded the rebels' vehicle.
They reached Ajdabiya, the last Libyan town held by the rebels in the east, crossing one of the many checkpoints manned by the rebels on the way to the frontline.

Qadri soon noticed some rebels loading grad missile into a red pickup truck with a launcher mounted on the back. “I thought I would take some photographs while they launch them towards the Gaddafi’s forces’ positions. The rebels looked familiar so I went ahead and asked them, mostly by sign language, if I could accompany them, and they agreed reluctantly,” he said.

When he climbed on the back of the truck, nobody actually saw him leaving with the rebel truck. He was lucky to pass that check point in the disguise of a rebel as no journalists were allowed beyond that point.

He was thrilled. “I was about to see live action at the frontline. I am sure given a chance any journalist would have done the same,” he quipped.

At Ground Zero

The action had already started at ground zero as the truck advanced for about a kilometre, then went off the road into the desert and behind a sand dune. The rebels fired four grad missiles and then drove back toward the main road to reload. Out of nowhere, their truck came under heavy return fire. Shells fired by brigades loyal to Gaddafi started falling all around them.

“There was heavy machine-gun fire, so a rebel and I jumped on the back of the truck. I was sitting right beneath the grad missile launcher. The rebels fired a third missile as they were speeding away and the blast knocked me off. I fell on the sand with a thud,” he said.

He tried chasing it but it sped away. “One of the rebels looked at me and tried to tell the driver to stop, but they were too scared to stop, even for two seconds, because Gaddafi forces were closer to us than I had thought and they were closing in. I found myself deserted amid a rain of bullets and bombs,” he said.

Bullets continue whizzing through the air and hitting the sand nearby while Qadri ran for his life. “I was wondering why none of these bullets hit me. I rolled down the sand dune and ran back to the gas station, which was still about 500 metre away. By the time I got there, all the rebels and journalists had already fled, including the AP team I was with,” he said. He was now alone amidst the sand and bullets.

After reaching the gas station, he started to search for a place to hide. “I ran behind and found three storerooms, a toilet and a small dark room with a shattered glass door. My only option was that dark small room. The door was locked so I crawled into the room from under the shattered-tinted glass. It was a very small room, but dark to my advantage. It had been used as a kitchen before. There was a portable gas stove. I lifted the lid of the stove and placed it just near the shattered part of the door so that no one could see me inside. All this while, gun shots and grenade blasts were drawing closer,” he said.

Gaddafi’s forces were now rushing towards the back of the gas station. They were going along the storerooms behind the gas station and kicking the doors, then firing their guns inside. They finished three rooms already, now it was the turn of the small room Qadri was hiding in.

“I could hear them walking towards the room. I could hear the shattered pieces of glass door being crushed under their boots as they walked towards my room. I was sure they’d fire at me and then ask for identification. I said my prayers, remembered my family and asked Allah for forgiveness. All of a sudden they stopped just near the door, discussed something in Arabic for a few seconds and retreated to the front of the gas station without firing a single shot into the room. What a relief as they walked away. I took a deep breath and thanked Allah, the Almighty,” he added.

This was the place he had to be for the next couple of days till he found a safe way out. It was a 4×6 sq ft with a steel kitchen sink and a small window opening towards the storerooms and a huge wall. The room was stinking of rotten onion and human excrement in one corner, an empty plastic bottle and two steel plates.

“I found a piece of cloth which I put over the window to make the room even darker. I took my compact camera and started filming the room, briefly. I disabled all the alarms and reminders from my mobile phone to ensure there was no noise. I replaced my used camera flash cards with blank ones and hid the used ones in my boots,” he said.

By that time, his legs were numb as he had been crouching down on the floor for a pretty long time. Many scary thoughts crossed his mind — he was more worried about his family and started looking at the photos of his family and friends stored on his mobile phone which encouraged him not to give up.

For five hours, he continued to be in the same state. He even urinated in a plastic bottle. At dusk when all was quiet he crawled out of the room and explored the storerooms. He also saw a group of newly built houses, through a steel mesh window of one of the storerooms, at a distance.

“I thought it would be a good idea to stay in one of them, after dark. When it was dark enough, I ran away from the room towards this group of newly built houses which was a few hundred metres away from the gas station. I decided to stay in the middle one to be safer,” he said.


In a room he found two mattresses, two pillows and a blanket. It appeared that fighters from one of the sides had squatted in the house. There were empty bottles, empty cigarette packets and food wrappers scattered about. By then he was tired and thirsty. He found potable water in a plastic bottle lying in a corner and an unfinished mango juice packet.

“I started contemplating my next course of action. I thought of making my way back to Benghazi, which was more than 150 km from this place, in the cover of darkness, but that seemed foolhardy. I could hear heavy military vehicles and tanks moving towards Ajdabiya. So I decided to stay put unless there was a real opportunity,” he said.

The award winning photojournalist later said that it was perhaps the loneliest night of his life. “I was probably the only unarmed man in an area of 150 square kilometre. I fell asleep at about 1 am, but often woke to the sound of NATO aircraft on reconnaissance mission, for a half-hour period about every two hours. A loud bang woke me up at around 5 am,” he said.

NATO aircraft had finally started bombing the Gaddafi’s forces’ positions from Brega through Ajdabiya. As the airstrikes ceased just before noon, he decided to take a look outside. He sensed of getting his lost hope back when he noticed a herd of camels outside.

“At this point, I thought of disguising as a camel herder but that sounded stupid. I decided against venturing out as the road was very close to the house and there was continuous movement of military vehicles. So I went back to the house. I remained in the house all day, watching from the windows as Gaddafi’s forces drove up and down the road,” he added.

At around 2 pm, he saw a group of soldiers, who stopped by at the gas station, eating and resting. And then some soldiers rode a pickup truck and started patrolling near these houses. But there was little he could do. Fortunately, they drove past this house without stopping and headed back to the gas station.

The Final Hours

At 5 pm, he saw normal pickup trucks arriving from Ajdabiya at the gas station, some of them with the rebel flag. It seemed to him that they were rebel trucks captured by the Gaddafi forces.

In the meantime, one of the trucks drove near the house and sent his pulse rate high. He heard men talking outside and then heard someone opening the front door. “I stood in front of the closed door holding my cameras up so the man would see them before reaching for his gun,” he said.

As soon as the man opened the door he yelled ‘sahafi, sahafi’ – ‘journalist’ in Arabic. “He was dumbstruck. Before he could say anything I started to communicate with him through sign language so that he could be sure that I was a foreign journalist and hence no threat to him,” he said. He led Qadri to the pick-up parked just outside the gate as other armed men in the pick-up truck pointed their guns on him. He gave Qadri a cheese sandwich and an orange juice bottle while making him sit in the pickup van when he gestured that he was thirsty. He thought the forces were not as barbaric as they were being portrayed. “I couldn’t eat the sandwich due to my dry throat and may be because I was nervous. I was holding my passport so that I could show it before their commander asks for it,” he said.

He narrated the story and showed his passport. The commander put it in his pocket and said, “Don’t worry we’ll take you back to your hotel but you have to say in front of the camera that we saved you”.

He thought they would shoot him after this. But at the same time he felt they could not kill him if they recorded his interview or maybe they would arrest him and send this video clip to the media saying that they are not as barbaric as people are portraying.

“At this point I was still sure that Gaddafi forces have got me. After the interview, he said, ‘Do you have any idea what you have survived?’ As he was talking, I saw a man climbed up on the mosque and flew a rebel flag from its minaret. I was like, Oh My God! They are rebels and I am actually saved,” he said.

He saw two rebels walking towards him whom he had seen many a times before on the frontline. They hugged him and apparently recognised him. “I felt completely different now, I was a free man again,” he sighed.

The commander he was talking to was a Libyan banker, who had joined the fight like other civilians. “He said they had heard about four missing journalists and assumed I was one of them. He said whole world was looking for you and every newspaper had your photograph and news. This made me so nervous and anxious because I knew if my family knew about this, they would be devastated,” he said.

Finally, five of them — rebel commander, his three men and Qadri left in the pickup for Benghazi. They reached hotel Uzu, where the AP crew was waiting for him in the compound. All hugged each other and Ben handed him Thuriya satellite phone to speak to his family.

“As I called, my wife answered the phone and started crying when she heard my voice. By then, she had already been informed about my safe return. I felt so bad to make my family go through all the agony and pain,” he said.

“I appreciate the way Associated Press handled the whole thing. They made sure that my family was taken care of during those long terrible hours of agony. My long-time friend and colleague Rafiq Maqbool, who is based in Mumbai, flew to Amritsar to be with my family. My eldest sister and her husband were also advised to fly to Amritsar from New Delhi. May be they were expecting something worse. I had to cut short my assignment to be back with my family. If it was not for my family I would have stayed back and covered it as scheduled,” he said.
(Qadri, 35, had won a World Press Photo award for his poignant photograph of relatives mourning over the body of a man killed in a shooting by police in Kashmir)

Saraighat completes 50 glorious years


Abdul Gani
Guwahati: It was an emotional yet proud evening for these gentlemen who cherished the hard labour they put into creating a milestone in the history of the country. Meet Swarn Singh and his colleagues as they stood on the banks of the mighty Brahmaputra with the gorgeous Saraighat bridge in front of them which completed 50 glorious years of its service to the people of India, on Tuesday.

Assam Chief minister deliver lecture near the bridge. Pic: Subhamoy Bhattacharjee

“It is a lifetime achievement. We are proud of what we have done. We can confidently say that it will serve another 100 and more years without any trouble,” an emotional Singh told Seven Sisters Post as he participated in a programme Indian Railway had organized to mark the 50th year of one of India’s longest doubledecker bridge on Tuesday.

The construction of Saraighat bridge was started in January 1959 by Hindustan Construction Company and was completed in September 1962. A diesel engine ran on the bridge on September 23, 1962.

However, specific traffic was allowed over the 1298 metre long bridge on October 27 in the same year bringing an end to an era of infinite transportation woes for the region. The 10.6 crore bridge was formally inaugurated on June 7, 1963 by former Prime Minister Jawaharlal Nehru.

Saraighat Bridge at evening. Pic: Biju Boro

“We just cannot express the feeling we experienced at that time. We sang the inauguration song in front of Prime Minister Jawaharlal Nehru,” Singh said as his colleagues Satyabarta Bhattacharjee, Shiben Bannerjee and Dilip Kumar Mitra looked on with a sense of pride.

Later in the evening these witnesses of history were felicitated. They also recounted how they were engaged to build the bridge. “The important thing was that the entire work was done by Indians. All the people including the railway and other technical officials involved in the process were brilliant. We still remember how we had to struggle against the sharp underwater current. We doubt if there is any other bridge of such quality,” Shiben Bannerjee who is also a classical music exponent told this correspondent at Pandu ghat.

Altogether 14,000 tonne of steel, 4.2 milion cubic ft concrete and 40,000 tonne of cement were used to build the first ever bridge on Brahmaputra. At present Rs25 lakh per year is spent by the Railways in maintenance of the bridge. Assam governor Janaki Ballav Patnaik, Chief Minister Tarun Gogoi and other railway officials including Railways general manager S Virdi were present on the occasion.

Assam governor JB Patnaik suggested that the name of the bridge should be Lachit Borphukan. “There should also be a statue of the great warrior in a commanding position along with a short description of the war written on a marble plaque,” Patnaik said.

While, the Chief Minister said that he felt privileged as he was present on the occasion of the inauguration of the bridge in his youth. (Seven Sisters Post)

Bard has bigger fan-following in Bengal: Lyricist


Abdul Gani
Guwahati: Legendary singer-composer Bhupen Hazarika never had a dearth of listeners but his image surpassed popular imagination in neighbouring West Bengal, claimed noted Bengali lyricist Mintu Mukherjee.

The veteran musician, who is credited with translating the bard’s songs in Bengali, was in Guwahati to pay tribute to Bhupenda on his first death anniversary on Monday.

“Jekhane phul phute/ seikhane baroder gondhoke ghrina kora ek mon/ sei bidrohi mon take jatio smoron/dite hobe tar dam/ shardha bhalobasai dilam pronam,” the lines came out spontaneously, as Mukherjee sat on the courtyard of the balladeer’s residence in Nizarapar on Monday.

Mintu Mukherjee at Bhupenda's residence.
In an exclusive chat with Seven Sisters Post, Mukherjee said his visit to Assam will not be the same anymore, in the absence of the legendary singer-composer.

“I was surprised to see Bhupenda’s popularity in Bengal. His image in Bengal is far bigger than in Assam. People there are still crazy for his songs,” he said after paying tribute to the bard.

Mukherjee, who had been associated with Bhupenda since 1957, worked in several films together.

Some of them went on to become colossal hits in Bengal and other places like Jeevan Trishna, Jonakir Aalo, Doi Beshra, Chameli Memsaab, Ekhano Pinjar and Gajmukta, apart from movies Rudali, Ek Pal, Darmiyaan: In Between, Aarop and Gaja Gamini.

Mukherjee recounted the days he spent with Bhupenda in Kolkata and other parts of Bengal.

“Not only Bhupenda, people who used to accompany him during concerts also used to get tremendous attention. During the Yuva Utsav in 1957, I was surprised to see the attendance of the crowd. Even though all the big names like Salil Choudhury and Hemanta Mukherjee had already performed, there were still 40,000-odd people cheering for Bhupenda when he came onto the stage. This was the kind of popularity that he enjoyed,” he said.

Bhupenda performed in Kolkata for the last time in 1999.

Mukherjee, who is a frequent visitor to Assam, is also familiar with other Assamese cultural icons like Bishnu Prasad Rabha.

“I used to call him Bishnuda. Though I had not had the opportunity of working with him, I was well versed with his works. I was also aware that he deeply influenced Bhupenda and brought a sense of revolution in him,” he added.

The noted lyricist, who hails from Tollygunge in West Bengal, also said that he would be happy to do more translations of Bhupenda’s songs into Bengali. (Seven Sisters Post)

Dekas of Sonapur grow money on trees, encourage others to follow suit


Abdul Gani

Sonapur : If somebody had said that money doesn’t grow on trees, you will say he must be lying – after you meet Hareswar Deka of Upper Tepesia village in Sonapur area, some 35 km from Guwahati, in Kamrup district.

A retired state government official, Deka has proved by dint of his intelligence and hard work that money indeed grows on trees. And his money now grows on his rubber trees.

Hareswar Deka at his plantation. Pic: Abdul Gani

Deka has set an example how economic progress can be achieved in rural areas of the state through rubber plantations in a systematic way.

“I’m quite satisfied now with the money I’m getting from my trees and would urge people to do the same, if they really want a handsome return. It’s definitely one of the best ways for economic progress,” an elated Deka told Seven Sisters Post at his residence.

And not without reason – with a mere return of Rs45,000 in 1996, his earning from rubber soared to Rs14,77,000 last year. His experimentation with rubber started in 1986 when he planted 450 saplings on a plot of land measuring one hectare.

The rubbers being sun-dried. Pic: Rajiv Konwar

“I had a horticulture garden with various species of fruits, but as I was away most of the time due to my official engagements, some people used to destroy them. Hence I decided not to plant any fruit there. During that time, I came across a newspaper article which narrated the benefits of rubber plantation, and I immediately went to the Rubber Board office in Guwahati,” he said.

And there was no turning back. Now, along with his son Debajyoti, Deka’s rubber plantation covers an area of almost 14 hectares.

At present, the father son duo is selling raw rubber around Rs180 per kg either to the Rubber Board or any private party, depending on the international market. The Dekas said that in 2010 the price had jumped to Rs215 per kg.

Hareswar Deka's son Debajyoti at work. Pic: Abdul Gani

A full-grown tree gives up to 250 gram of rubber liquid per day. And, depending on the weather, they thus collect around two tonnes of liquid per month from one hectare of land. And this continues for almost nine months of the year. Around four litres of liquids can give 1 kg of rubber after processing – sun drying and smoke drying.

“But one has to be very careful while tapping the tree. We have to keep in mind that the tree does not get hurt. We collect the liquids every alternate day or after two days so that there is no pressure on the tree,” added the senior Deka, who even went to Kerala to study rubber plantation in 1997 with the help of the Rubber Board.

The Dekas have employed seven unemployed youths. Now, seeing their prosperity and hoping to repeat their success story, other villagers too have evinced keen interest in rubber plantation, and some of them have already started the cash crop cultivation.

Among them is Debeswar Pradhan, son of a farmer, who has started rubber plantation on his own with the help of World Vision India, an NGO that offered him 300 saplings. He has planted these on one hectare plot of land and nurturing another 350 saplings.

“We have realised that rubber can eradicate poverty after seeing Hareswar Deka and his family. We believe that if we work hard we too can prosper. We also thank World Vision for their support in this regard,” Pradhan said. (Seven Sisters Post)


Friday, October 19, 2012

Pothorughat saga now brought before the world


Abdul Gani

Guwahati: The only book in English on the historic peasants’ rebellion at Pothorughat in Darrang district in which as many as 140 peasants belonging to Hindu and Muslim community laid their lives for the sake of their country has finally found its place in the Library of Congress in America.

“It’s great news for all of us. It really meant a lot for us because the sacrifice made by our forefathers never got recognition the way it should have. Now the people in the world will come to know about it in detail,” said Bhargab Kumar Das, a member of Organising Committee for the National Level Seminar on the Pothorughat uprising by Agricultural Peasants, who published the book.

The author of the book – Pothorughat – is eminent writer Arup Kumar Dutta and it was released on September 28, 2010 by senior journalist Dhirendra Nath Bezbarua and Asam Sahitya Sabha president Rong Bong Terang.

The link for the Library of Congress catalogue record for the book is: http://lccn.loc.gov/2012493997.

“In this regard we would like to thank Hiranya Kumar Nath who is presently working as an Associate Professor of Economics at Sam Houston State University (SHSU) in Huntsville, Texas, USA for taking the initiative with the authority who after going through the book, readily agreed to catalogue it at the Library of Congress. We were trying hard to organise a national seminar in New Delhi on the Pothorughat issue but this development would help us to make the sacrifices of the peasants known at the national and international level. We are also thankful to Arup Kumar Dutta for writing the book,” Das further added.

Locals rued that though as many as 140 peasants belonging to Hindu and Muslim community had sacrificed their lives at the hands of British on January 28 of 1894 at a sleepy village of Pothorughat or Patharighat – some 16 km to the west from the district headquarters Mangaldai while raising their voice in a peaceful manner against the hiked land revenue, yet this chapter of the history of the Indian freedom struggle is little known in other parts of the country.

“The entire nation is well aware of the Jalliwanwala Bagh killing, but people outside the state of Assam are not aware of the Pothorughat rebellion which is significant in many ways. It took place much before the Jalliwanbalabagh massacre; the village farmers adopted the policy of non violence which was adopted by Mahatma Gandhi many years later and the entire rebellion was spontaneous without any prominent leader,” said another member. (Seven Sisters Post)

Tuesday, October 16, 2012

Father of Nehru Stadium pitch no more


Abdul Gani/Kausav Baruah

Guwahati: The grass on Nehru Stadium in Guwahati wept silently on Monday as their mentor bade his final goodbye, putting an end to his three-decade-long affair with them. Even the soil and workers at the pitch will miss him.

A  glorious chapter in the field of sports in Assam came to an end on Sunday when one of the senior-most and renowned pitch curators of the country, Sunil Kumar Baruah, left for his heavenly abode at the age of 70.

Dr Sunil Kr Baruah with BCCI pitch committee chairman Daljit Singh and other workers. Pic: Dasarath Deka

Their relations had started three decades ago when Team India faced the mighty West Indies at Nehru Stadium on December 17, 1983.

“Sir was very close to us. Working with him was a nice experience. He never forgot to wish us on every occasion in our lives. We learnt a lot by working under him,” Bhabesh, a member of the ground staff at Nehru Stadium, remembered his superior on Monday after paying his tributes with tearful eyes.

“Last night, he suddenly had problems after having dinner, and he left us before we could do anything,” said a close aide of Baruah. He left behind his wife Dipali Baruah, a son and a couple of grandchildren.

From childhood he was attracted towards the game of cricket and used to follow it passionately till his last breath.

“The game taught me the lessons of life, and I will always be in debt to cricket for what I’m today. It taught me to be disciplined in life and to face the challenges with a cool mind,” Baruah had told this correspondent in a chat a few months back.

He used to cut the uneven fields to play cricket during his childhood days at Shillong, and those activities drew him towards the job.

During his college days, he went all the way to Kolkata, Kanpur and several other venues to watch test matches, and used to talk to the people involved with pitch and ground preparations.

Dr Baruah with BCCI pitch committee chairman Daljit Singh during the later's visit to Guwahati. Pic: Dasarath Deka 

“Once Krishti Bikash Sangha of Guwahati organised a friendly cricket match between film stars and cricketers featuring several big names, including Kapil Dev and Sunil Gavaskar, and I was involved in preparing the pitch of that match. That was the first cricket pitch I prepared in my career with the help of veteran Badal Thakur,” he had said.

Then he got the opportunity to prepare pitch for the India-West Indies match. After that no-looking back as he prepared the wicket for all the 16 matches played at Nehru Stadium in Guwahati. Besides, he also prepared the wicket for Ranji and Duleep Trophy matches. He was also invited for several national seminars at various places in the country.

Born in Shillong in 1942, Baruah was awarded with PhD by Gauhati University for his research on “Certain problems of Fertility among Khasi Women of Meghalaya”. Besides cricket, he also worked in several fields of academics and retired as assistant director, Directorate of Census. He also wrote several books on sports. He was also associated with Dibrugarh University, and was the academic director at the Assam Institute of Mass Communication and Media Research at Guwahati.

Meanwhile, cricketing fraternity of the state, both past and present, have expressed grief and shock at the demise of Baruah.

“It is a big loss for Assam cricket. We have lost one of the best curators of the country. It will be a tasking time for the state to fill the void as there is hardly anyone of his caliber. He was very dedicated and his passion for the game pegged him to carry on with his job till such an advanced age. Whenever we sought for a pitch to suit our game plan, I don’t remember him saying no at any stage. His experience in pitch curating will be always missed,” said former Ranji player Gautam Dutta. Senior curator Badal Thakur recalled his association with Baruah saying that his passion for the game drove him towards pitch curating.


“There was time when I used to prepare the wicket in the Nehru Stadium and that was when I took him along with me. He adapted very nicely to the new techniques of pitch preparation. I don’t think anyone in the state stands to his stature to prepare pitches for the international standard today. I don’t know to what extent he played as a cricketer but certainly his passion for the game could be seen in his work. He will be missed in a big way by Assam cricket,” recalled Thakur.

Another ex-ranji player Javed Zaman attributed the development of cricket to the highly-rated curator. “I was in a state of shock when I heard about it this morning. Just two days back I had a long conversation with him at the stadium regarding the wicket at the Barsapara stadium,” stated Zaman.

Ratul Das, present curator in the BCCI’s zonal curators’ panel lamented on the demise of his colleague. “We worked together for a long time and shared a very good relationship. He will be missed by the cricketing fraternity.” Das remarked.

“It is a great loss for Assam cricket and Sir was always there for us whenever we needed him any assistance from him regarding the pitch. His service for Assam cricket is unforgettable and whether he can ever be replaced,” said Gokul Sarma, an Assam Ranji player. The Assam Cricket Association (ACA), Ankurjyoti Club of which he was the former president, Assam Sports Journalists’ Welfare Association (ASJWA) have also condoled the demise of Sunil Kumar Baruah. (Seven Sisters Post)

Friday, October 12, 2012

Adil picks up best actor award in US fest


Abdul Gani

Guwahati: This one couldn’t have come at a better time! Very much in news for his latest release English Vinglish, Adil Hussain has added one more international accolade to his trophy mantle — the best actor award in New Jersey Independent South Asian Cine Festival (NJISACF). Hussain picked the best actor award on Tuesday for his role as JA Krishnamurthy in Unni Vijayan’s Lessons in Forgetting.


“It means a lot to me… Because the film is based on a very serious social issue of female foeticide. It’s a great pleasure to play JAK’s role. It would have been a typical boring character, but was directed very well to make it interesting. I’m thankful that it is received well by the viewers. I feel the Indian viewers, too, should watch it,” Adil told Seven Sisters Post from New Jersey on phone.

In Lessons in Forgetting, Adil plays a single father, J A Krishnamurthy or JAK, as he is fondly called. The story revolves around JAK and his relentless trail to find out how his teenage daughter, Smriti, played by debutante Maya Tideman, ends up on a hospital bed, almost dead. Helping JAK in his chase is a single mother Meera, played by Roshni Achreja, who is unable to make sense of her husband’s callousness; he walks out of their marriage, out of the blue, leaving her alone to bring up their two growing children and take care of her aging mother and grandmother, all on her own.


“It is JAK’s desperate attempt to unveil a gruesome incident affecting his daughter and his need for redemption that takes both Meera and him through a rocky trail that turns his life upside down. In the event, it gives JAK a peek into his daughter’s world,” Adil said of his character.

The subplot, subtly touches the subject of female foeticide and how fiercely guarded the issue is. The film is based on a novel by Anita Nair with the same name. The script is also written by her. “It’s a great thing to happen to the film and the entire team. But it’s Adil who made the film come alive,” Nair told Seven Sisters Post.

After collecting rave reviews for his role in English Vinglish, Adil will be seen in a meaty role in Vikramaditya Motwane’s Lootera which also features Ranveer Singh and Sonakshi Sinha. Besides, he will be seen playing a more dramatic role of Mustafa Fazil in Meera Nair’s Reluctant Fundamentalist.

His another highprofile project Life of Pi, directed by Oscar winner and Hollywood director Ang Lee , is slated for November release. Dedicated to South Asian independent films, the NJISACF first started in 2007.

The annual festival is produced by the Asian American Film and Theatre Project, a US based non-profit organisation committed to promotion, production and exhibition of film and theatre works that reflect the diverse experiences of the South Asian Diaspora across the globe. (Seven Sisters Post)

Wednesday, October 10, 2012

Film documents Mayong’s magical history


Abdul Gani

Guwahati: An average youngster in the capital city of Assam may have made his umpteenth trip to Pobitora, just about 50 km from Guwahati and famed for its thick one-horned rhino population, but ask him about Mayong – chances are that he may not have even heard of the small village with an alluring history of magic and sorcery, albeit the fact that he has to travel through the area to reach the wildlife sanctuary.

Or at least Utpal Borpujari, a national-award winning film critic, would have us believe when he carried out an informal survey among 200 youths in Guwahati in 2011. “On July 15 last year, the day Harry Potter and the Deathly Hallows Part 2, released in India, we carried out an informal survey among 200 youths in the city to know whether they heard of Mayong. We were shocked, most of them had not,” he said.

This prompted Borpujari and a host of youngsters to come out with a film on the small cluster of villages in Morigaon district of Assam and the age-old practices and legends associated with black magic in the area. The result was Mayong: Myth/Reality, a 53minute documentary, which traces the cultural and historical elements of the area widely neglected so far in spite of being so rich in folklore.

“It also highlights the ancient manuscripts, books and tantric images in a bid to evoke the mind of researchers or even common tourists to visit the place,” explained Borpujari. “We got involved in a mission to explore Mayong visually – to see whether all those myths about black magic were just those or otherwise, and why despite its legendary status in Assamese folklore, the place remains largely unknown, and what locals think about their magical heritage,” he added.

“The irony is that most people with whom we interacted have travelled to Pobitora Wildlife Sanctuary more than once, without knowing that they have travelled through Mayong. So, it was very important to throw light on the region,” said Borpujari, who is a member of the International Federation of Film Critics (FIPRESCI) and has served as a jury member in several leading international film festivals.

It is believed that the elements which have not been touched so far will be helpful for the research scholars. The documentary has tried to depict all these, said Borpujari. The documentary is being produced by Jayanta Goswami under the banner of Darpan Cine Production.

While the cinematographer is Biswajeet Changmai, the film has been edited by Parveen Sharma. The music has been composed by Anuraag Saikia and the narration has been done by Robin Kalita. Now the director is hoping to screen the film in film festivals in India and abroad before releasing it on DVD. (Seven Sisters Post)

Ekhon Nedekha Nodir Xipare: An honest attempt to tell the truth


Abdul Gani

Finally there is an honest attempt to deal with a subject which not many people here in Assam wish to talk about. Through the film ‘Ekhon Nedekha Nodir Xipare’, which released last week, debutant director Bidyut Kotoky has taken viewers to Majuli, the troubled island in the river Brahmaputra.


Over a course of 90 minutes, the director has convincingly portrayed the trauma of the people of Majuli, which once enjoyed the status of being the world’s largest river island. From flood erosion to insurgency, the inhabitants of Majuli have suffered a lot. Inspired by the ‘unfortunate’ incident of kidnap and murder of social activist Sanjay Ghose in 1997, a brave step has been taken to raise the issue once again by Kotoky.

It was a difficult task to make a host of Bollywood actors deliver dialogues in Assamese, but Kotoky managed to do it in a commendable manner. Sanjay Suri depicted the character of Abhijit, a journalist who comes from Mumbai in search of Sridhar Ranjan who has been missing in the island. Despite Suri being in the lead role, it’s Raj Zutshi who stole the limelight with his brilliant work. Zutshi played the role of Jayanta Doley, a surrendered militant turned peace activist.

Veteran actor Victor Banerjee as a strife-ridden grandfather was better than average. However, Abhijit’s guide Sudakshina, played by young Bidita Bag, needed a bit more effort to smoothen her Assamese accent. 

Otherwise, she looked natural as a village girl. Her brother Jyotiraj who is a part of the insurgent group, played by Nakul Vaid, and Naved Aslam, who played the character of Sub-Divisional Police Officer (SDPO) Sameer Agarwal, were able to do justice to the characters.

Another big name associated with the film is four-time National Award-winning cinematographer Madhu Ambat, while sound recording was taken care of by Nakul Kamte, who has two National Awards under his belt. Rajesh Parmar, winner of two National Awards, was in charge of editing.

Music was given by Zubeen Garg. If you believe that cinema is more than a mere source of entertainment, ‘Ekhon Nedekha Nodir Xipare’ is a must-watch for you. (Seven Sisters Post)

Thursday, September 13, 2012

Pune sheds light on NE burning issues


Abdul Gani

Guwahati: Far away from the killing fields of the Bodo heartland and volatile valleys of Manipur, a one-act play staged at Pune has evoked keen interest and discussions on Northeast’s troubled times. On Sunday, people in Pune were discussing Northeast and Assam as a one-act play on the life and struggles of “Iron Lady” Irom Sharmila was staged. 

The poster of the play 
Besides, noted scholars discussed the current situation prevailing in Assam in a bid to find a solution. “We are very proud and absolutely thankful to Ojas SV for her generosity and love for performing her acclaimed one-act play La Mashale,” Diganta Deka of Grubshup, who organised the event on Sunday, told Seven Sisters Post.

Pune-based theatre artiste Ojas S V adapted Malayalam playwright Civic Chandran’s drama Meira Paibi (Women torch-bearers of Manipur) in La Mashale to get the urban audience hooked onto the life of Manipur’s “Iron Lady”. Ojas has already performed the 40-minute-long soliloquy on stage several times across the country in the last couple of years. She says her objective is to bring people closer to the heroic life of Sharmila and to throw light on cases of human rights violation in Manipur.

The play, which is powered by poetry written by Sharmila herself, anecdotes from her life and the traditional folk stories of Manipur, tries to recreate the horrifying circumstances which made the 39-year-old civil rights activist sit on an indefinite hunger strike to protest against the ‘draconian’ Armed Forces Special Powers Act (AFSPA).

“With the recent events in and about the Northeast, we feel really saddened but more resolved to do our best to continue to spread awareness about the region. I think more such events will make people aware about our region,” Deka further said.

Besides, a couple of prominent personalities from the Northeast also discussed the current issues with the people present on the occasion. Senior scientist at Bhabha Atomic Research Centre (BARC) Dr Haladhar Dev Sarma and Giridhar Mahanta, one of the senior-most officers in the Assam government, were present on the occasion to share their view on the prevailing situation in Assam.

“It should be solved politically. Gradually the people have started feeling insecure. The movements too have failed to fetch results so it’s the time to address the core issue which is the influx of illegal Bangladesi nations,” Sarma said.

He also urged all the political parties to keep their personal agendas aside and focus on the common problem of the state.

On the other hand, Mahanta said that to solve the p re-independence issue — influx — public awareness is quite important. “Corruption too has played a major role in creating more problems in Assam,” he said.

In the 1980s, Dr Haladhar Dev Sarma was in the governing body of the All Assam Students’ Union (Aasu) leading the students’ movement against illegal immigration. Around the same time, Giridhar Mahanta was a senior Assam government official. (Seven Sisters Post)

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