Saraighat completes 50 glorious years

Noted anthropologist AC Bhagabati, who has been conferred on Tagore National Fellowship for cultural research, stressed the importance of traditional perceptions of land records to find out causes of ethnic clashes.

Lethal games of hide and seek

Photojournalist Altaf Qadri recounts his tale of survival amidst military strikes of Gaddafi loyalists, defensive rebel gun-showers and unfeeling NATO airstrikes.

Men always afraid of the strength of women

WARIS MEANS Desert Flower, a flower that can bloom even in the roughest climate. Waris Dirie is a nomadic child from Somalia and a mother of two beautiful sons...

Rayanti overcomes real life drama unscathed

Meet Rayanti Rabha, a poor widow from a remote hamlet of Goalpara district who has won the Ustad Bismillah Khan Yuva Puraskar from Sangeet Natak Akademi recently for acting.

Age has not withered Lalit Chandra Ojha, nor life of tribulations

He gave up everything in life for the sake of Sukananni Ojapali, a folk dance drama of Assam. His life-long devotion enabled the dance drama survive the test of time.

Saturday, February 25, 2012

Lesser Golden-backed Woodpecker



















A Lesser Golden-backed Woodpecker, also known as Black-rumped Flameback (Dinopium Benghalense), or Lesser Goldenback, is seen at a tree in side Pobitora Wildlife Sanctuary in Morigaon district. It is a woodpecker found widely distributed in the Indian Subcontinent. It is one of the few woodpeckers that are seen in urban areas. It has a characteristic rattling-whinnying call and an undulating flight. It is the only golden-backed woodpecker with a black throat and black rump. Pix by: Abdul Gani 

Sunday, February 19, 2012

White winged wood duck in severe crisis


Abdul Gani
Guwahati: The white winged wood duck which was declared as the state bird of Assam in 2001 is facing severe threat of being extinct due to the lack of proper initiative of the government. Even, no proper census or any other measures to were taken by the authority.

Assam and Arunachal Pradesh is the habitat for more than 80 per cent of the species which is basically found in the South East Asian countries. This type of duck is basically found in the highly dense forests and this is the only species of duck which lives on nest.

“The most unfortunate part is that in spite of being a highly endangered species the government has not taken any initiative to save the white winged wood duck in the state. So far no proper study or census was conducted on it,” rued Anwaruddin Choudhury, a renowned naturalist, noted for his expertise on the fauna of the northeast.

He also insisted on doing it individually if possible. “It’s very important and I feel if somebody can go a do a study, it would be great,” he added who himself did a study on this species from 1992 to 1996.

His study which was conducted across the state found an estimated 400 such ducks. “I think the number would be decreased now,” Choudhury said who is also the honorary Chief Executive of the Rhino Foundation and who has penned 18 books on wildlife. This bird is basically found in the districts of Tinsukia, Dibrugarh and in Nameri and Manas national parks in Assam. If any species is recorded to be below 500 in numbers it is considered as highly endangered.

With the fast deforestation and poaching more ducks are being lost in no time. “This species lives on trees near water body. And the smugglers target the trees which are nearby the water bodies, so this duck is an easy victim,” said Mriganka Krishna Gogoi, founder director of the NGO Friends of Nature.

The bird which comes out during the breeding season which starts from March to August also makes the poachers’ job easier. “A full grown duck weights around 3 kg, so it is profitable for the poachers,” Gogoi said.
It also demanded that the government should immediately conduct a survey and distribution mapping and monitoring on the white winged wood duck. (Published in Seven Sisters Post)

Saturday, February 18, 2012

Demanding the dues of the past

Barn Swallow


Thursday, February 16, 2012

Oriental Pied Hornbill





















An Oriental Pied Hornbill at the Assam State Zoo in Guwahati. The Oriental Pied Hornbill (Anthracoceros albirostris) is a species of hornbill in the Bucerotidae family. It is found in much of the Indian Subcontinent and Southeast Asia, ranging across Bangladesh, Bhutan, Brunei, Cambodia, China, India, Indonesia, Laos, Malaysia, Myanmar, Nepal, Singapore, Thailand, and Vietnam. Its natural habitat is subtropical or tropical moist lowland forests.

Pix by: Abdul Gani                                                                                        
Camera maker: Canon
Model: Canon EOS 1000D
F-stop:f/7.1      
Exposure time: 1/400 sec
ISO: 320                     
Focal length: 300 mm

Black Kite


A Black Kite waits for his prey at Assam State Zoo in Guwahati in a winter morning. The Black Kite (Milvus migrans) is a medium-sized bird of prey in the family Accipitridae, which also includes many other diurnal raptors. Unlike others of the group, they are opportunistic hunters and are more likely to scavenge. They spend a lot of time soaring and gliding in thermals in search of food. Their angled wing and distinctive forked tail make them easy to identify. This kite is widely distributed through the temperate and tropical parts of Eurasia and parts of Australasia and Oceania, with the temperate region populations tending to be migratory. Several subspecies are recognized and formerly with their own English names. The European populations are small, but the South Asian population is very large.
Pix by: Abdul Gani
Camera maker: Canon
Model: Canon EOS 1000D
F-stop: f/5.6
Exposure time: 1/125 sec
ISO: 800                     
Focal length: 300 mm

Red Wattled Lapwing




















A Red Wattled Lapwing at Deepor beel. The Red-wattled Lapwing (Vanellus indicus) is a lapwing or large plover, a wader in the family Charadriidae. It has characteristic loud alarm calls.
Pix by: Abdul Gani
Camera maker: Canon
Model: Canon EOS 1000D
F-stop:f/5.6                 
Exposure time: 1/200 sec
ISO: 200               
Focal length: 300 mm

Great Egret















A Great Egret flies above the Deepor Beel in the outskirts of Guwahati on a winter morning. Deepor beel is also called a wetland under the Ramsar Convention which has listed the lake in November 2002, as a Ramsar Site for undertaking conservation measures on the basis of its biological and environmental importance.
Pix by: Abdul Gani
Camera maker: Canon
Model: Canon EOS 1000D
F-stop:f/7.1
Exposure time: 1/500 sec
ISO: 200
Focal length: 220 mm

Tale of two films


Abdul Gani

Poster of Meherjaan
Guwahati: Here is a tale of two films from Bangladesh which were screened at the 4th CineASA Guwahati International film festival that comes to an end recently. ‘Meherjaan’ and ‘Guerrilla’ which were displayed under the section ‘Liberation Stories’ reflect complete contrast to each other though both of them are on the back drop of the armed conflict which separated Bangladesh from Pakistan in 1971.

‘Guerrilla’ shows the struggle of the Bangladeshi people while ‘Meherjaan’ shows an opposite tale of love between a Bangladeshi woman and a Pakistani soldier.

‘Guerrilla’ by Nasiruddin Yousuf Bachchu which is an adaptation of the novel Nishiddho Loban by Syed Shamsul Huq shows the anger and struggle of Bangladeshi people against Pakistan.
He has crafted the film Guerrilla with his own experience as a leading fierce freedom fighter of 1971, sketching real incidents of those days.

Guerrilla is a delicate, artistic rendition in moving images of the heroic deeds of the liberation war's valiant freedom fighters on an epic canvas.

“It’s really a well made film which I enjoyed watching,” said Jadumoni Dutta, a national award winning filmmaker who watched the film at the Dhaka International Film Festival last year.

Bilkis, a bank professional after losing her journalist husband Hasan Ahmed starts searching for him and at the same time got herself engaged as a collaborator to the guerrilla operations which were gradually gaining momentum.

A scene from Guerrilla 
She was not affected by her personal loss and pain, rather, undaunted; she chose the hazardous path to carry on the fight for our liberation. Finally she blew herself up with explosives, destroying the surrounding Pakistani soldiers in the process thus highlighting the spirit of the Bangladeshi people.

While, in a contrast, Meherjaan, directed by Bangladeshi filmmaker Rubaiyat Hossain, is about the love of a Bengali woman for a Pakistani Baloch soldier in the backdrop of the 1971 war which created mixed reactions among people.

During Bangladesh’s war of independence, Meher, the protagonists falls in love with a soldier from the enemy side. When her love is discovered, she is shamed and silenced by her family and society. Thirty-eight years after the war, Meher is approached by a visitor. Sarah -- a 'war child', Meher's cousin Neela's daughter, who was given away for adoption, is trying to put together her past. Together, these women re-tell history through their narratives.

The film which was released in January 2011 also features Joya Bachchan and Victor Benerjee. But the film created angst in Bangladesh which prides its Bengali heritage and where the atrocities of the Pakistan army are still recent memory.

Bangladeshi feminist groups said that the film trivializes the atrocities on women by the Pakistani army when it runs the story of Meher, a Bengali girl who falls in love with a Pakistani soldier, and is then humiliated by her family when this is discovered.

“I was raped several times by Pakistani soldiers, and I cannot stand this soft corner for Pakistanis in the film,” said sculptor Ferdousi Priyabashini.

But the filmmaker Rubaiyat Hossain was candid about her woes. “I tried to break out of the stereotype of the Bengali hero versus Pakistani brute in the backdrop of the 1971 war, and that is what my countrymen are so upset with,” Hossain said.

Poster of Guerrilla 
“Women usually appear as sacrificing characters. They are often treated as part of the silent landscape -- objectified, abused and raped. The purpose of ‘Meherjaan’ is to break free of the typical male narrative and open up a conversation to explore other perspectives on the Liberation War,” she added. ‘Meherjaan’ so far has been screened in several international film festivals.

The film festival screened more than 40 critically acclaimed films from across the globe. On the last day of the festival ‘A Separation’ from Iran, ‘Vitus’ from Switzerland and ‘More than Just a Game’ from South Africa were screened. (Published on Seven Sisters Post)

Greater adjutant stork in trouble


Abdul Gani
Guwahati, Feb 16: The environmentalists urged the government to reserve spaces for the greater adjutant stork, a rare member of stroke family, which is found in Assam besides in some of the South Asian countries, is fast decreasing to be categorized as highly endangered species.

With the urbanization the habitat areas of this bird is decreasing leading to the death of the new borns and the mature ones.

“Not just the population but the distribution and the nesting habitation are declining day by day. We urge the government to plant trees in the dumping areas in Boragaon area in the city besides preserving its habitat areas in other parts of the state. So that we can save the species before it is vanished,” said Mriganka Krishna Gogoi, founder director of Friends of Nature, an NGO working in environmental issues.

According to census there were around 800 to 900 individuals in the state and later in the year 2005-06 it came down to 500. Whenever the number of any species comes down to 500, it is categorized as highly endangered.

“Gradually the number is seriously decreasing. It’s everybody’s responsibility to make its life easier to save them so that the bio-diversity remains balanced,” said Hillol Jyoti Singha, a professor of Birjhara College of Bongaigaon who conducted a study on this species.

Besides, in several places in the city, greater adjutant stroke is found in Jorhat, Dibrugarh, Kaziranga and in some parts of the state. As this bird prefers to stay in the riverside forests and with the deforestation its habitats are losing out.

A latest census conducted in the city recorded presence of 127 birds. Its population was 288 in 2002, 207 in 2003, 233 in 2004, 247 in 2005, 167 in 2006, 118 in 2007, 149 in 2008, 147 in 2009 and 113 in 2010. While, the global population of the greater adjutant stork is estimated to be around 900-1,000.

Wildlife experts have also pointed out that with the wetlands in and around the city being filled up for construction activities, the greater adjutant storks are being robbed of the much-needed feeding ground for the chicks. (Published on Seven Sisters Post)

Yellow footed Green Pigeon


















A Yellow footed Green Pigeon is seen in the outskirts of Guwahati. The Yellow-footed Green Pigeon (Treron phoenicoptera) also known as Yellow-legged Green Pigeon is a common species of Green Pigeon found in South Asia. The species feeds on fruits of a large variety of fruit trees including a number of species of Ficus. They forage in flocks. In the early morning they are often seen sunning on the tops of emergent trees in dense forest areas. Pix by: Abdul Gani
Camera maker: Canon
Model: Canon EOS 1000D
F-stop:f/7.1      
Exposure time: 1/400 sec
ISO: 200                      
Focal length: 300 mm

Barn Swallow at Deepor Beel in Guwahati



A flock of Barn Swallows is seen resting on branches of a tree at Deepor beel at the outskirts of Guwahati. The Barn Swallow (Hirundo rustica) is the most widespread species of swallow in the world. It is a distinctive passerine bird with blue upperparts, a long, deeply forked tail and curved, pointed wings. It is found in Europe, Asia, Africa and the Americas. Pix by: Abdul Gani
Camera maker: Canon
Model: Canon EOS 1000D
F-stop:f/8
Exposure time: 1/500 sec
ISO: 200
Focal length: 300 mm

Sunita's Bihu with classical music


Abdul Gani
Guwahati, Feb 12: Here comes the traditional melodious Bihu numbers in a brand new avatar in the mesmerizing strings of Sunita Khaund Bhuyan. Sunita, a versatile violinist known for her innovative approach of music led human resource development, fuses Bihu with the inherent raga patterns of the classical music in her latest album Bihu Strings.
Her attempt is to demonstrate the prevalence of the universal seven notes in all kinds of music -- classical, folk, rock, western jazz etc.
“My attempt is to bring Bihu to the world stage. So far Bihu was only known for dance but there is much musical aspect of Bihu,” said Sunita Bhuyan who is the daughter of another veteran violinist Minoti Khaund.
In the process, Sunita becomes the first ever violinist in the country to do a complete folk and fusion album on the violin. The violin which has had the image of being a western instrument adapted to Indian styles, have so far been played in the classical forms both Hindustani and Karnatic in India.
Each number of the album is a story of an inherent facet of Assamese life in the context of the Bohag Bihu.
“Buli Naage champa’ talks about the sensuous tresses of the lover adorned with the ‘naage champa’ flowers. This piece is based in raag dhani, the all pervading raag of most bihu melodies,” Sunita said.
While, ‘Luitor baalite’ talks about the fun and frolic of two youngsters on the banks of the river Brahmaputra. This is a fusion of Bihu with Irish folk and rock percussions. ‘Ranga Nadi’ describes the travails of life during floods which cannot dampen the festive spirit.
‘Ganga Siloni’ based in Raag bhupali, talks of the heralding of the spring season with the sound of the migratory bird. Then, ‘Xosakoi bor dhunia’ is an expression of teenage love, she further said after the release of her music album in the city on Sunday evening.
Assam chief minister Tarun Gogoi who formally released the album congratulated the musician for her efforts to bring bihu at the world stage. (Published on Seven Sisters Post)

Wednesday, February 15, 2012

Medini Choudhury remembered

Abdul Gani
Guwahati, Feb 13: Litterateurs and prominent citizens remember the renowned author Medini Choudhury on his 9th death anniversary in a meeting held at Guwahati Press Club on Monday. Choudhury, who was known for his efforts to unite the people of various sections through his writings.
“He was one of the rare writers who always wanted to influence the society towards communal harmony and betterment of human being. I wish he could be among us for more days to spread the message of love and harmony,” said Pratul Chandra Sharma, former IAS officer and his colleague while delivering Medini Choudhury memorial lecture.
He also mentioned about the weight of his writings and rued that he deserved better respects during his days.
Another noted litterateur Nirupama Borgohain who was also present on the occasion said that Medini Choudhury was always right with the data of history in his writings.
“He was one of the rare authors who took special care of the facts and data in his writings. That’s what makes him different from others,” she said.
Medini Choudhury retired from government service in 1986 after joining the Assam Civil Service in 1956. His Ananya Prantor, a book on the local influences on spoken Assamese, written in the form of a travelogue, took the Assamese literary world by storm in the early 1970s.
This was followed by Banduka Behar on Mahapurush Madhavdev, Ferengadao on Kalaguru Bishnu Prasad Rava, Jadugharar Kirtimukh, Taat Nadi Nasil, Yangjoo Nadir Paar, Nibandhita Anubhab, Luit, Barak Aru Islam and Bipanna Samay, among others.  
His Taat Nadi Nasil received the Publication Board, Assam, Award in 1977 and Bipanna Samay - the Sahitya Akademi Award in 1999. He authored about 30 books, including two in English. Besides, he has to his credit a good number of short stories like Sihate Kewal Mare and critical and analytical articles. Besides, his books written in English are - Tribes of Assam Plains and Bodo-Dimasas of Assam. 

Tuesday, February 14, 2012

Filmmakers' stress on low budget film


Abdul Gani
Guwahati, Feb 9: Veteran filmmakers of the state are in the opinion of making quality films in small budget for survival of the regional cinema. Taking part in a discussion on the topic ‘Regional film, avenues of funding and scope of promotion in international market’ as a part of the ongoing 4th CineASA Guwahati International Film Festival at Rabindra Bhawan in the city filmmakers have rued at the plight of the local films.
“Financial aspect is very important. But I would say, not all the occasions it’s the main problem. There is quite possibility of making quality films in low budgets. Go for such movies for the revival of the regional cinema if you cannot compete the international market technology wise,” said Gautam Borah, one of the senior most filmmaker of the state, adding that filmmakers of the region have failed to produce quality films. His film ‘Woshobipo’ which won the national award in 1990 failed to qualify at the international level just because it was made in 16mm format.
“There are hundreds of subjects around but I feel may be due to lack of sensitivity our filmmakers have failed to tap it,” he said.
He also advocated of making regional films in multi-languages reach to wider section of viewers. There are instances where regional films are removed from the halls for the high budget Bollywood films. This trend is also killing the field of the regional films.
In a recent occasion Jadumoni Dutta’s national award winning Assamese film ‘Jetukar Pator Dore’ had to make the way for Salman Khan starrer ‘Bodyguard’.
“This harms the regional cinema. We can also make an environment like Manipur, West Bengal or Maharastra where the cinema halls are bound to give preference to the local films,” Borah said.
Another critically acclaimed filmmaker Maulee Senapati who was also present in discussion said that there is no point of fighting with the Bollywood films but to improve the quality of the regional cinema.
“The basic thing is that the quality needed to be improved. The script should be well researched and improved and importantly the regional film should reflect our society. Then definitely it would work,” Senapati said who is known for his documentary films.
His ‘Children of the River: The Xihus of Assam’ on river dolphins was screened in various international festivals in Germany, Mexico, Iran, besides India.
He also urged the people to watch more films made by other national and international filmmakers for the better understanding of the craft.
“We have hardly seen any experimentation in our films. It used to be the same. For example, sound has a distinctive language we need to know how to use it. To understand the cinematic language we need to watch more films,” he added.
Besides, Ehsan Mujid who made ‘Sonam’, the first-ever feature film in Monpa language of Arunachal Pradesh and Mridul Gupta were present on the occasion. (Published in Seven Sisters Post)

'Firingoti' marks Jahnu Barua's 30th year in film-making


Abdul Gani
A still from the film
Guwahati, Feb 10: It was an emotional affair as the members of 'Firingoti' unit got together at the ongoing 4th CineASA Guwahati International film festival on Friday evening. 'Firingoti' one of the masterpieces created by celebrated Assamese filmmaker Jahnu Barua was screened at the festival to mark the occasion of his 30th year in the filmmaking.
“We missed Bhaitee da (Shailadhar Barua) most. He was very dear to all of us and used to take utmost care,” remembered Chetana Das, a popular actor of the state who was also involved with the film.
Shailadhar Baruah was one of the top producers of the state who gave a number of critically acclaimed films many of which have won national as well as international awards including 'Firingoti'. He passed away on January 10 in 2010.
She also wished all success for Jahnu Barua. “Had he been present here on the occasion, we would have felt happier,” she said.
Barua who is in Mumbai at present also expressed his gratitude for the organizers and wished his colleagues of the film good luck. “I wish I were there among all of them. I thank CineASA for this honour. Moloya Goswami got the best actress award in the film which never happened in Assamese films again,” he told Seven Sisters Post over telephone from Mumbai.
'Firingoti' which was released in the year 1992 earned two national awards for best actress and second best feature film. Moloya Goswami played the role of the protagonist, Ritu, a young widow who goes to a remote village to teach children.
But she had to face challenges to prove that no fire would be allowed to extinguish the spark of knowledge any more.
“They did a wonderful job in the film. It means that we are never in dearth of talents but people need to support us. People have to watch good films if such talented artistes were to be alive,” Barua added.
Moloya Goswami who was felicitated among others during the occasion said that they never imagined that the film would bring such a name.
“We just enjoyed doing our work and gave our best. It was really fun to be a part of the unit. The whole unit was very cooperative and great and I feel that's why it earned name and fame,” Goswami said.
Besides, Ranjit Das, Chetena Das, Bhargab Kataki, Abinash Sharma and Fatik Barua were felicitated on the occasion.
“It was really great to be a part of the film. Today I felt like going twenty years back.  The whole unit was great. We sorted out the problems among ourselves, thus making life easier for us. I also have a special relation with Jahnu da,” said Ranjit Das, assistant director and editor of the film.
He also mentioned about Shailadhar Baruah who took special care of the unit to get everything possible done. “Shaila da is a different sort of man. He was much more than just a producer,” he said. 
(Published on Seven Sisters Post)

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